The album begins with an aggressive cluster of vocals and instrumentals with surround sound recording techniques making your mind run in cyclonic circles. The beats seem to be very scattered without any actual rhythm. As the album progresses the songs become more tame and organised allowing the listener to depict the melody and complex/skilled riffs. Blast beats are repeated throughout the whole length of the album showing a great deal of endurance on the drummer’s part. Sorrow is continuously whaling on the snare and has a constant rhythmic double kick pattern. Aside from the hatred, disgust, pestilence, disease, decay, plague and death influenced lyrics; there is a large variety of different vocal types throughout the album from both of the vocalists. Desolate shows a massive vocal range, from a deep growl to a high pitched screech to a soft quiver, while Balam has a mainly lower register. In some tracks the vocalists strain their voices to the fullest and let out a surprising form of whimper or yelp, as well as some pig squeals every now and then. Guitarists Desolate and Balam have a long run of distorted riffs and heavy songs, but several times throughout the album they tone it down with a clean intricate solo, adding a soulful aspect to the album. Bassist Zameth is difficult to be heard over all of the other instruments and distortion but when focussing on the deepness of the music you can faintly hear the rhythmic thud of the bass guitar. Although no one is listed for keyboards, after rapid heavy speeds, there are some harmonious lulling keyboard melodies.