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- RECENT ALBUM REVIEWS -
- PESTILENTIAL SHADOWS [2009] In Memoriam, III Omen (demo) -
Label: Pulverised Records
Review by Kayla Beasley
RATING: 7.8 \m/
Black metal band, Pestilential Shadows, began in 2003 by original vocalist Maririm and guitarist/vocalist Balam. The line up of instrumentalists has changed from the original line up, swapping percussionist Guland, guitarist Raum, bassist Wraith, and vocalist Maririm for the current line up of; backing vocalist/guitarist Desolate, bassist Zameth, live bassist Eligos, and percussionist Sorrow, including the original guitarist/vocalist Balam. They’ve had five albums previous to this one, and their sound has certainly changed drastically over the years. Originally, the distortion was overwhelming, overpowering the music, making it hard to distinguish the different sounds and patterns. In this new release, there is still plenty of distortion but the guitarists as well as the vocalists use it in a controlled way. The recording is cleaner, the vocals are cleaner and the instruments are more distinguished.
The album begins with an aggressive cluster of vocals and instrumentals with surround sound recording techniques making your mind run in cyclonic circles. The beats seem to be very scattered without any actual rhythm. As the album progresses the songs become more tame and organised allowing the listener to depict the melody and complex/skilled riffs. Blast beats are repeated throughout the whole length of the album showing a great deal of endurance on the drummer’s part. Sorrow is continuously whaling on the snare and has a constant rhythmic double kick pattern. Aside from the hatred, disgust, pestilence, disease, decay, plague and death influenced lyrics; there is a large variety of different vocal types throughout the album from both of the vocalists. Desolate shows a massive vocal range, from a deep growl to a high pitched screech to a soft quiver, while Balam has a mainly lower register. In some tracks the vocalists strain their voices to the fullest and let out a surprising form of whimper or yelp, as well as some pig squeals every now and then. Guitarists Desolate and Balam have a long run of distorted riffs and heavy songs, but several times throughout the album they tone it down with a clean intricate solo, adding a soulful aspect to the album. Bassist Zameth is difficult to be heard over all of the other instruments and distortion but when focussing on the deepness of the music you can faintly hear the rhythmic thud of the bass guitar. Although no one is listed for keyboards, after rapid heavy speeds, there are some harmonious lulling keyboard melodies.
Though this album was not one of my absolute favourites, their fifth track, For Man and Heaven’s Ruin, was amazingly produced and showed off many of their musical capabilities. The track is filled with insanity and anxiety, expressing a true hatred towards man kind. This track was segmented into several different melodies that seem to take you on a journey, forcing an experience into your mind. In general, many of the tracks end with a clean vocal speech and have a common blast beat rhythm throughout the song. The main concept and sound of the album is very dark and evil with an underlying hatred. The album is completed with Bathed in Ashes, a soothing, melodic, organised rhythm that is very different from the rest of the album. The track has a sense of depression, with more soothing and slower rhythms.
All in all, the album was a great improvement from the ones they have release prior to 2009, but there is still room for some more diversity in their sound. They demonstrate a high degree of talent in several of their tracks, so with time; their albums will be a great success. \m/
- STRINGS OF ARES [2009] Strings of Ares (demo) -
Label: Independent
Review by Mark Howitt
RATING: 9 \m/
A definitive rising force in the Ontario and Canadian metal scene is a band from the Toronto area called Strings of Ares. I had the fortunate opportunity to share the stage and do a few shows with this band and I will admit, I was not sure what to expect from the band. I was thinking they would pull off another typical deathcore/breakdown induced set like a lot of local bands are doing these days, but when they started playing I was completely and utterly decapitated where I stood. Now although Strings of Ares may appeal to fans of the deathcore genre, this band is not typical by any sense of the word. Their usage of varied genres and tempo changes works perfectly, and along with a decimating live show this band is something to watch out for in 2010 and beyond.
Their self titled demo album is nothing short of genius, and although the production quality could be a lot better, the demo itself is nothing short of impressive. Containing 4 tracks, the demo never leaves you hanging and at the end you are left waiting for more, wishing that they had another album under their belts. Since the release of the demo however, they have been quite busy preparing new materials for a follow up full length album.
Notable tracks on the demo include the crushing opener “Devoured by the Flames of Fury”, and “Ravenous”, however each song is a shining gem and demands further listening. I simply cannot wait until these guys put out another album, and I would love to see them perform live again.
In closing, if you are a fan of diverse bands that are not shy to use technical compositions and crushing heaviness, then Strings of Ares is a band that you must investigate. Blending elements from bands like Fear Factory, Necrophagist, Sepultura and Morbid Angel, Strings of Ares really do incorporate the best of all worlds in their final product. May the arrow strike true, and the legion of Strings of Ares be known.
- Enemy Reign [2009] Means To A Dead End -
Label: My Fist, Your Face LLC
Review by Drew DePietro
RATING: 10 \m/
Means to a Dead End is the debut release from debut band Enemy Reign. Hailing from Denver, Colorado, this band consists of an extremely solid line-up.
On vocals we have Sherwood Webber ( ex Skinless), drummer Andon Guenther ( Deadspeak; creative director, programmer, and co-creator of Sick Drummer Magazine) on guitar Nick Guenther (Becoming The Enemy, Masakado) and finally on bass, we have Cassie Begay (Throat Culture/Throcult, Deadspeak).
The EP was self-distributed under the guidance of Webber through various means of distribution; ER's online webstore, digital distributors, and traditional retail outlets. A full length is slated for release in 2010.
As far the EP goes, it starts off with numbingly intense double bass, and some great thrash riffing with "Command". For a first track, this is it. You can't be welcomed to a band much better. A minute into the song, it cuts into a myriad of thrash riffing and vocal hooks. If you don't head bang during this song, you're gonna get eaten alive by the people moshing around you.
At 2:30, the song keeps the same direction, but gets a noticeably more technical tone, once that solo comes in towards the end of the song, it's all over.
"Isolate" the second song off the EP, has the same feel, totally different song, but that same pounding, hooky sound that "Command" had. The only difference however is that "Isolate" leans more towards the death metal end of the spectrum. Especially with the constant blasting, mixed in with the constant riffing on guitar. The song almost feels as though it's picking up speed as it progresses. Just to slow right down at the 4:00 mark. Started off with a great squeel, the song finishes off with a great headbang riff. Quite destructive to say the least.
"Means to a Dead End" the title track for the EP, starts off with a thrashy/punk feel to the guitar, along with some more thrashy off-beat drumming. Quickly after however, the song once again takes on the death metal edge. For a title track, "Means to a Dead End" is definitely good shit. Squeels, Blasting, great vocals, great timing, just an all around awesome song. This song is a perfect indication of the variety of playing styles and influences ER have, and it shows that they break the mould of what your every day standard death metal band does.
"Throw Myself To The Wolves" the fourth track off the EP is practically the definition of death metal. Webbers vocals are phenomenal on the track, and with the intense speed of the drums and guitars on this track, it's remarkeable how well he follows suit with his vocals. This is probably the fastest and maybe the heaviest song on the EP. It's a very memorable track, and it progresses perfectly. I wouldn't doubt it if this ends up being one of the crowd favourites. Nick's solo's are immaculate, and draw in that old school thrash sound with the squeels and bends he pulls off. Great track.
"Abuse" is the final track on this 5 song EP, and after listening to the EP a whopping 7 times in succession. I can't get over this song. Absolutely crushing. Guitar riffs are heavy as fuck, and Andon is beating his drumkit like O.J. Simpson beat his wife. 3:00 into the song (roughly) is my favourite riff on the entire EP. It's just this great tapping scale, and it sounds awesome. Everything about this song blows my mind. I can't even really describe the tone and direction of this song. All I can do is tell you that 4:15 seconds into the song is one of the heaviest rifffs I have ever subjected my ears to. And I would most certainly have to bust some chops in the pit were I to experience this song live.
As a whole. Enemy Reign's debut EP release "Means to a Dead End" is stunning. And anyone to get the chance to experience these monsters of metal tear it up, I am whole heartedly jealous of you. And I hope you tear the shit out of the pit.
This EP is a definite must for any metal head.
Keep The Horns High \m/ \m/
- A Forest of Stars [2008] Corpse of Rebirth -
Label: Transcendental Creations
Review by Mark Howitt
RATING: 7.5 \m/
A Forest of Stars is exactly as their name would imply, a gleaming gem amidst a vast sea of Black Metal bands. Corpse of Rebirth is indeed raw Black Metal, but its ambience is a cosmic journey. It is also much more than that, perhaps all existence as a whole contained in one album. The five tracks unleashed by the Forest are cleverly titled God, Female, Male, Earth and Matter, and the closing track Microcosm. Genius, simply amazing material that cannot be overlooked. This album is a must for anyone who is seeking original and refreshing material.
A gently weaving violin opens the album and sets the stage for what could become a personal favourite album of mine. Depressing, sombre, cascading, and gripping, this band knows how to create truly awakening Black Metal hymns. Darkness enshrouds the listener as raw yet structured ambience overwhelms the soul. Corpse of Rebirth is reminiscent of a marriage between Drudkh, Negura Bunget and older My Dying Bride but with vast potential to be much more than this comparison. In fact, performing violin, flutes and clean vocal duties is none other than Kati Stone of My Dying Bride herself.
The vocals of Mistur Curse are similar to that of Burzum or Bethlehem and at times perhaps it is a bit hard to get into but they are effective. Another weak point to the album is that some of the riffs seem to go on for too long when not necessary. There are more effective parts in the songs that could have been dragged on but it would seem that they chose to use some very bland riffs to repeat. It is as though you are on a long journey and to get to the next part you have to walk through a flat plain devoid of life for many miles. However, when the peak hits it is worth the wait.
The tracks on Corpse of Rebirth are quite lengthy, most clocking in at over thirteen minutes and the opening track a whopping sixteen and a half minutes. Regardless of length the tracks deliver and keep you wanting to hear what comes next even though at times some riffs drag on for a bit too long. Lyrics include topics of Victorian era influences and Occult based themes in which are quite fitting for the music that is backing them. Epic, atmospheric and psychedelic, A Forest of Stars is creating a stir in England and I can’t wait to hear how this band evolves down the road.
- Empyrean Plague [2009] Ancestral Embers Shall Burn -
Label: Archaic North Entertainment
Review by Kayla Beasley
RATING: 8.5 \m/
Empyrean Plague has been keeping us at attention for nearly 7 years now and has gone through several different line-ups of instrumentalists. It began with guitarists Turmoil and Pawn who sought out for others of like talents to discover percussionist Treachery and bassist Dertah, from Vanquished. After their first album was complete, Dertah returned to Vanquished as Empyrean Plague retrieved their awaited remaining link Unborn. In 2003 they began recording their full length album “Conquering the Elements”, and with time Pawn left the band and Unborn then claimed guitar loyalties. With time they found Keltisch to enrol for bass duties and they pursued their melodic harmonies producing “Ancestral Embers Shall Burn”.
From their first album to the present there is a clear progression and overall growth of the band. There is a great maturity from their past albums and their sound seems to be more confident. With this coalesce of band members, and founded solitude, Empyrean Plague is stronger than ever and is clearly headed on the right path for success. The evolution of their rhythms and beats from “Conquering the Elements” to “Ancestral Embers Shall Burn” is phenomenal. They have a much clearer and crisper sound with natural earthen tones and spiritual realisations.
When I first heard AESB I was overly impressed with each track’s synchronization and the vast array of intricate drum sequences, enthralling riffs and musical patterns. Treachery’s thunderous and expeditious rhythms create a quick pace and assist in the defibrillation and fierce fatality of their anatomy. Keltisch demonstrates his musical inclination well by manipulating the four strings to enhance main riffs and beats giving the illusion of a deeper six stringed instrument. Turmoil sets the tone with distorted notes and rhythmic mesmerisation. With both clean and harsh guttural growls he literates exceptionally and creates a diverse atmosphere for their resonance. Unborn also uses his compelling crisp notes to complete their sound to the fullest, picking wildly with dedication.
As a whole, the band is rapidly improving and we’re all looking forward to their upcoming tracks, there’s only the best to come with vivacious developing talent. \m/
- Cryptik Howling [2009] Them -
Label: Cryogenic Records
Review by Mark Howitt
RATING: 8.5 \m/
Cryptik Howling have been playing Northern Black Metal for some time now, even in their early beginnings with some of the members other project “Black Empire”. Cryptik Howling have come along way since their beginnings and even since their debut release “Vitium Intus” from 2006. I was initially very impressed with their work and accomplishments on “Vitium Intus” so this new slab of Cryptic Darkness was truly an anticipated moment as I had heard the band play some newer materials live at shows in Sudbury and their hometown of Rouyn-Noranda, Quebec
I got to hear a rough mix of “Them” well before the albums initial release at an after party with Wolven Ancestry and Cryptik Howling and to be honest I was completely annihilated as I usually am at these type of events, so I could not remember anything specific, only that the production was stellar and that the songs sounded a lot heavier.
Upon receiving a copy of “Them”, I finally had the time to focus on the music and see what our Northern friends have been up to and instantly I was floored. Could this be the same band from 2006? It certainly is and I must say their progression is scary to be honest. Arrangements and overall intensity are much more chaotic and tight now, along with the production being way up as well. The songs are much more focused and I hear a great Emperor and Windir type influence in the songs this time around. The album was produced at Northern Studio by Yannick St-Amand and mastered at Wild Studio by Pierre Remillard. The outcome is crushing.
From the opening track of Grievous it is apparent that the melodic and keyboard based approach used on “Vitium Intus” is less apparent, however it is still noticeably there and adds to the ambience and darkness as it should. Scarification is also a personal favourite track of mine. “Them” is a more direct album in a lot of ways which seems to work well for the band. This album is on the verge of something fresh, a cusp of black metal genius and when a third album is completed I am guessing that Cryptik Howling will become a household name for Black Metal, not only in Canada but abroad as well. Horns Way Up!
- Bone Gnawer [2009] Feast of Flesh -
Label: Pulverised Records
Review by Drew DiPietro
RATING: 9 \m/
Bone Gnawer's 2009 release, Feast of Flesh instantly gives off a cannibalism vibe. From the Hannibal Lecter type pig’s squealing, leading off with the intro for the title song “Feast of Flesh”. It sets the tone for the album very well. There is a very familiar sound to the band, so if you’re a death metal veteran you should feel right at home. They blend old school death metal with a doomy thrash sound among Swedish death metal elements.
A perfect example would be “Sliced and Diced” very consistent death metal riffing and your average death metal vocals. The majority of songs I’d have to liken the vocals to something akin to Kataklysm, but the lyrics are more towards the gore metal side of things. Then there’s songs like “Hammer to the Skull”, which instantly brought me back to Corpse, with “Hammer Smashed Face”. Normally, I would have just shrugged and probably skipped to the next song just because of the name. But the band had gotten me interested by this point. This song happened to be one of the more drumming intensive songs on the album, where as far as I could tell didn’t drop below 200bpm’s unless it was during one of the many awesome headbaning moments of the song.
With this album however, they really did save the best for last. The final 3 songs off this album are absolutely fantastic. Great slamming riffs and great vocals. The drumming on “Defleshed and Skinned” is wicked. Just the drumming makes that song my favourite off the album. “Anthropaphagus Beast” is more of an old school death metal track, with those same gore lyrics from the better part of the album. However, probably the most intense song off the album which to me would definitely be their finale live, is “The Lucky Ones Die First”. Great death metal, and at 2:30 the song just slows right down, leaving you with nothing but the urge to bang your head right the fuck out. Leading directly into circle pit worthy material. Couldn’t be happier with the end of this album.
Also it's worth noting that Bone Gnawer consists of a rather impressive line-up which currently includes; Kam Lee (Massacre/ex-Denial Fiend, Cynic, ex Death) Rogga Johansson (Paganizer) Ronnie Bjornstorm (Ribspreader, Hate Ammo) and Morgan Lie (Naglfar). Hornz Up!
- Wolves In The Throne Room [2009] Black Cascade -
Label: Southern Lord Records
Review by Mike Baricelli
RATING: 9.75 \m/
To begin i just have to say that this album is an absolute gem and is in my top 3 black metal albums of this year. It captures the spirit of black metal that many bands are FAILING to get right, I just want to walk through a forest for hours and trance in this album's genius. I heard of this band early last year, I bought their sophomore ''Two Hunters'' and was an fan in no time. I had it on rotation at home and work for months and was patiently waiting for their next. It came in the form of an ep called ''Malevolent Grain'', it had 2 new songs and a lovely new logo to counter the junior kindergarden finger painting that was their old logo. I must be honest, i was really excited that there was new material until I heard it and I'm gonna be really brief on this but it was a step or 2 down from Two Hunters. A month and a half later ''Black Cascade'' is unleashed, I downloaded it first then bought it afterwards.
The first thing I noticed is a slight level up in production, it's still raw like 2 hunters but now the instruments have more breathing room and the drums a better punch and crack with no over abundance of blast beats, a good thing.The riffs are droning, haunting, dissonant,organic and it flows so well. The vocals bite your face off and spit them down your eye sockets. They nailed the production for this album. The ambience and atmosphere is second to none, it gives me goosebumps. Few albums really do that to me and for such a duration. This has to be one of the most atmospheric/ambient albums of the 21 century, it's very hypnotic and ethereal. It's done with no keyboards, don't get me wrong I like ambience with keyboards but it's nice when a band doesn't have to rely on them.
They're 4 songs - two at 10+ min and two at 14+ min. and I think that suits them best cause the songs are long and keep you interested the whole time. I'm gonna make a prediction and say that through out their entire career they'll never make an album more than four songs, lets see what happens. They really have matured on this album and stepped up their songwritting, it just grasps you like a anaconda and suffocates you to their realm. I love this album so much i'm having a hard time describing it to you, it's an experience you gotta hear for yourself that mere words can't describe. The lyrics are of nature, sorrow, enviromentalism,ecofeminism and left wing politics that are some of the most interesting topics coming out the scene today.
In conclusion, this is a very important band, true artists of their craft and I recommend this album to all black metal maniacs, as well their older material of course but this is their best thus far and the possibilities of these 4 Washingtonians is unlimited and scary if they can surpass each release, only time will tell. I missed them when they came to toronto this past may and heard it sounded better than the album, i will not miss they're next round through Canada i assure you. I only wish they got on the ball and made some new merch to go with the new album for fuck sakes, the only thing i've seen was a tour shirt. Horns way up to Cascadian Black Metal \m/ \m/
- De Magia Veterum [2009] Midgal Bavel -
Label: Transcendental Creations
Review by Mark Howitt
RATING: 8.5 \m/
De Magia Veterum is not your average Black Metal act, as they incorporate drastic industrial elements amidst the chaos of their second full length release “Migdal Bavel”. There really is no structure on this album, however this seems to be an efficient factor as the swirling mess of sound forms a very rusted aura about the music. With chaos comes order, however in the case of De Magia Veterum order has no place and is not welcomed warmly. This is some powerful stuff I assure you.
The Netherlands has always offered quality music and De Magia Veterum is no exception. All musical elements are handled by one man, who calls himself Mories, or simply ‘M’. M is also responsible for work in his other project Gnaw Their Tongues in which he is also the sole member. Perhaps M does not work well with others, but this does not matter as the music potrayed on “Migal Bavel” is truly genius. I am constantly reminded of acts such as Blut Aus Nord or early Anaal Nathrakh when I hear the album, however it is my opinion that although M perhaps takes influence from these acts, De Magia Veterum is truly in another mindset and plateau of existence. The melodies captured in tracks like ‘Curse of Canaan’ are truly mesmorizing. The riffing in ‘I am the Vine’ sounds like steel being grinded against skullbone. Chaos, true chaos.
This form of chaos captured in ambient form has always been an effective formula for Black Metal however De Magia Veterum far exceeds this threshold. Demons are listening to this in Hell I am certain. If you are looking for true evil captured in psychotic matrimony then look no further than “Migdal Bavel”. Complete with custom digipack, silver print on black cardboard, a truly unique album in its entirety. Transcendental Creations is a label that I was not aware of in the past, however it seems that they offer quality materials and my investigation into their world will now be under way.
- Axis Powers [2009] Marching Towards Destruction -
Label: Pulverized Records
Review by Mark Howitt
RATING: 5 \m/
Sweden’s Axis Powers return after their previous release “Pure Slaughter”, four years ago. Continuing with their themes paying homage to war and death, “Marching Towards Destruction” combines a Sludge/Doom fuelled tinge with classic Swedish Death Metal as apparent on previous works. The main difference with this release is the production, being crisp and clear as compared to the work on “Pure Slaughter”. This allows the songs to breathe a lot more, making the tracks much more audible and hard hitting. The songs displayed on “Marching Towards Destruction” are very easy to follow along with, and keeps a consistent pace throughout the entirety of the album.
The songs on this latest release do seem to lack something however, and that is dimension. After listening to the album I found myself not really impressed too greatly as there was no particular songs that really stand out from the other. Sure the songs are well written and have catchy hooks but there seemed to lack any climaxes or pinnacle points in the songs. Don’t get me wrong, the band is great at what they do but I personally enjoy notable attributes to be contained in at least a few songs on an album.
Axis Powers is comprised of members of another band, the more thrash influenced Suicidal Winds in which you may or may not be familiar with. Being a huge fan of Black Metal, I much prefer Suicidal Winds however Axis Powers is another creative outlet of these musicians. It is apparent that both bands are comprised of the same members however as the playing styles have obvious similarities. The only difference between the two bands is the drummer, but when you are playing underground music it is a proven fact that it is best to have multiple outlets of expression. Side projects will always be a popular thing in Metal music, however the similarities are too strong between these bands. There needs to be a drastic sense of separation in my personal opinion, one in which Axis Powers seems to need to expand on a bit more perhaps. Great band, better side project.
- Necrophobic [2009] Death To All -
Label: Regain Records
Review by Mark Howitt
RATING: 9.5 \m/
Regain Records strikes again with a devastating release from the cult legends Necrophobic. This band has been playing extreme stuff since the early 90’s, as they formed in 1989. With their latest album “Death To All”, Necrophobic prove that they are a dark force to be reckoned with. I have been listening to this band for a couple of years now, and “Death to All” is perhaps the only release of theirs that I have continued playing time and time again. I’m not saying that their older efforts are not quality records, but this new one just destroys all in its path. Many years of dedication and hard work has surely paid off in full, and I would recommend this album to anyone who enjoys early dark death metal/black metal.
From the opening track “Celebration of the Goat”, to the amazing title track finale Necrophobic take you on a Satanic journey through dark riffs and structures. There really is no filler here as each song has astounding qualities about them. Sure there are flaws as with most albums, but all blends well in the end. Favourite tracks include the passage filled “Revelation 666”, “The Tower” and the seemingly anthem-like track “For Those Who Stayed Satanic”. Equally empowering as the music is the lyrics behind each song, although finding them online may find to be a bit of a tedious task. The great thing with this album though is that you can understand most of the words being spewed forth by Tobias, who used to do bass duties for the band. With each listen, you get the feeling that you have been taken into a world of flames, brimstone, and true evil. Even the devil would appreciate this release for its ominous presentation.
This album contains an all star line up, featuring members of Therion, Dismember, Nifelheim among many others. Each member is seasoned with experience and it truly is apparent that Necrophobic are here to stay for quite some time. Death To All delivers in all areas and it is really great to see this band finally getting some recognition, so do yourself a favour and get a copy of this album. It is an album dedicated to those who stayed Satanic…
- Adversarial [2009] Adversarial (demo) -
Label: Self Released
Review by Mark Howitt
RATING: 7 \m/
Adversarial is a new project from the GTA comprised of ex members of Lapidate, Dead of Winter and Sentient. The demo features no bass tracks however the offering does offer a great insight on what their next album might bring to the table.
Adversarial play dark Death Metal, which is bordering on the Black/Death cusp. This demo really takes me back to the early-mid 90’s when Black Metal was first looming its ugly head, still entwined within the clutches of Death Metal’s mighty grasp. Bands like Fallen Christ, old Belphegor, old Angelcorpse come to mind. The riffage is lunatic and the drums are constantly blasting. Vocals sound like they are spewed forth from Satan’s mouth himself and the raw production add to the overall darkness of the demo. The songs on Adversarial’s first release are very impressive, however there is still much room for this three piece to expand and evolve into something much more fierce and I believe it will happen on their follow up.
If you are a fan of old school Black and Death metal, then keep your eyes peeled for Adversarial. Only true death metal shall reign superior in a genre which has gone to the dogs and breakdowns.
- Endstille [2009] Verführer -
Label: Regain Records
Review by Mark Howitt
RATING: 8 \m/
Germany's Endstille have existed for quite some time now, releasing six full length albums, a demo and a split with Graupel since their conception in 2000. Quite a busy band and it really shows on their newest and second release from the maniac's at Regain Records, Verführer.
Notable tracks on Verführer include the destructive opener “Alteration of Roots”, with its unrelenting attack. It’s the perfect opening track to ensure you that Endstille is not fucking around and mean business. “Hate Me…God” stands out amongst the entirety of the album, with it’s slower approach and unorthodox vocal approach. A very unique listen and a definite highlight of the album. Another personal favourite on the album is the ending track “Endstille (Verführer)”. This is a down tuned, slow and sludge soaked anthem and the perfect end to the album. It reminds me of Gorgoroth’s Sign of an Open Eye perhaps, yet still keeps an Endstille essence about it.
From start to finish, this album maintains a quality Black Metal presence which is consistent in it's delivery. Nothing extraordinarily original yet refreshing at the same time seems to be the formula here. What Endstille has going on for them here is nine crushing new songs of searing Black Metal insanity reminiscent of Dark Funeral, Marduk and the like. The riffs are effective and simplistic, with blistering drums and high shrieks from frontman Iblis that sound as though he is tearing apart his own flesh with each scream.
Finding the lyrics for Verführer seems near impossible at this time, however Endstille take influence from War and Anti-Christian ideology. Being from Germany however, and having the opening of the album a clip of Hitler speaking does indeed make one wonder what they are singing about on this album. Definitely not NSBM, but more paying tribute to times of War in general. It really is quite fitting, as the drumming by Mayhemic Destructor at the beginning of the album sounds like a machine gun blasting through an open field of troops ripping apart everything in its path. Ripping, just ripping!
- Dark Celebration [2009] Phlegeton - The Transcendence of Demon Lords -
Label: Paragon Records
Review by Mark Howitt
RATING: 5 \m/
Dark Celebration has been around for over a decade now and have just released a brand new full length release entitled Phlegeton – The Transcendence of Demon Lords. This Brazilian death metal band is not so much a typical death metal band as described my many sources. The sound Dark Celebration portrays has been compared to the likes of Morbid Angel, Deicide, and fellow Brazilians Krisiun, however I do not hear much of a comparison with these bands. Dark Celebration reminds me of a cross between thrashier death metal stuff like The Crown and I can definitely hear some early Goatwhore influence in there, especially with the vocals in some songs. The tracks on this album never let up in true Brazilian fashion, a constant whirlwind of fury, however there is much more experience to be gained from this band. It is safe to say though that Dark Celebration has a sound of their own which is often hard to find these days within a sea of monotonous striving artists.
However, that being said there is not so much energy or life going on within the passages of this album. Sure there is some catchy riffs and potential within the structures but Phlegeton has nothing that truly stands out or demands repeat listening. It must also be noted that tracks like “Sulphur” and “Legacy of Fire” have appeared on previous albums making the material on the new album not so new. The re-recordings of the songs sound much better than their predecessors however, having much more maturity in the overall production yet still lacks that grasping effect death metal albums often contain. For instance, the song “Sulpher” sounds like it actually goes off of the beat in a couple of spots and the thrashy riff in combination with the vocals and lyrics make it seem as though this band is still working off the first songs they had written. Perhaps this is not true, but in a world of top notch bands and a healthy worldwide scene, it will take a lot more than what this album offers to become a dominating force.
Perhaps my own personal pet peeve on the album is the vocals, sounding very annoying and amateurish at times. The spoken word part in Legacy of Fire nearly had me chuckling, along with the solo following. They do not hit the notes with the heavy vocals in a lot of parts and this distracts from what is happening musically greatly. Perhaps influenced mostly by old thrash stuff, in this writers opinion they do not blend well with the music at all. The music is very groove ridden and soaked with potential however perhaps with a more sinister sounding vocalist the songs would sound much more intense. I want to like this album, however this time around Phlegeton has not struck a nerve, and may never will. Five horns.
- IXXI [2009] Elect Darkess -
Label: Candlelight Records
Review by Marty DiPietro
RATING: 7 \m/
Elect Darkness is the bands first release off Candlelight records but their third full-length (Sigilla Malae, Total Holocaust Records). The main quality about this album is that it’s very well recorded. The guitars have a really nice and clean crunch to them with some cool groove riffs throughout. The Bass lines kicked total ass almost the entire album, with little breaks in the guitars to bring the bass line right up front. It gave off a cool chill tone with all the harmonics on the guitar. Totalscorn’s vocals have improved somewhat as far as the operatic clean vocal parts go, and his range has gotten wider with his raspy growls. Tthe speach-like sections in the lyrics were pretty interesting to listen to and try and figure out what he’s trying to explain. The entire time you just get this feeling of hate and evil with the atmosphere the music has.
The first song, Underworld, has lots of wicked bass riffs and some beefy verse riffs, while still keeping a dark black metal mood the entire 7:38 minutes of the song. Southern Tribes starts off with a repeating riff that almost made me turn it off, but it picks up into some sick black metal for most of the song switching it up a few times. Cool tune. Beyond The Rupture is probably one of the evilest fucking songs I’ve heard in a long time. The chugging guitars and slow tempo with some nice squeals thrown in sound so heavy. About 1:50 minutes in the vocals kind of reminded me of Nevermore, which I think is cool. This is probably my favourite song on the album. Enthusiasm is the most black metal sounding song on the whole album. It has rawer sounding guitars and riffs that are far more droning.
I’m going to finish this up with this album being 7 horn’s. It’s good, cool to listen to after smoking a few joints, but I much prefer their older albums, “Assorted Armament” and their self-titled “IXXI”.
- NIFELHEIM [1995] Nifelheim (2009 Re-Release) -
Label: Regain Records
Review by Mark Howitt
RATING: 7 \m/
Regain Records have taken us back to the early 90’s era by re-releasing some of Nifelheim’s back catalogue. Nifelheim, for those who are unfamiliar with the band, were a very influential and involved band in the Scandinavian scene in the early 90’s, and even had the late Jon Nödtveidt amongst their roster from 95-98, during some of the most important years of his life.
Nifelheim was the bands first full length release and shows the bands fashioned style of Blackened Thrash Metal first hand. By todays standards, this release may not seem to stick out much, or even appeal to many of the newer fans of the genre, however I assure you that with the release of this album, Nifelheim started to make a name for themselves and their follow up “Devil’s Force” had even more of an impact on the Black Metal community. This is classic material, re-released in perfect timing.
What we have here is the entire self titled release, with a bonus track entitled “Die In Fire”, which is a Bathory cover and was featured on the No Fashion/Hellspawn tribute in 1998. The homage to Bathory is quite satisfying and acts as a nice little bonus track to this re-release for anyone who has been a fan of Tyrant and Hellbutchers work. Nifelheim at the time of its release, was a very important release and it quickly put the band higher on the ranks. In the mid 90’s their career picked up for a time, however soon after the band seemed to go underground again for some time. It is great to see a reputable label like Regain Records taking this pioneering Black/Thrash band under its wing and re-releasing their pinnacle materials. For anyone who missed out on the opportunity to pick up the original release of this album, do yourself a favour and get a copy today. Nifelheim were truly an inspiration to a lot of Black Metal bands, and continues to influence bands as the wand of metal seems to be going back to its thrashier roots. It is the perfect time to unleash Nifelheim upon the masses once again.
- BLUT AUS NORD [2009] Memoria Vetusta II: Dialogue With The Stars -
Label: Candlelight Records
Review by Marty DePietro
RATING: 10 \m/
With their seventh full-length release, “Memoria Vetusta II: Dialogue With The Stars”, Blut Aus Nord has really added to the ambience of their music. A sequel of sorts to the bands 1996 sophomore release “Memoria Vetusta I: Fathers of the Icy Age", they have really improved their sound over all. Backed more by flowing melodies, a cleaner sound, and far more technical drumming this album is extremely enjoyable.
Focusing more on the music and less on the vocals I think is something that worked very well for them. Don’t get me wrong, the vocals are amazing and suit the music well, but having them less pronounced I find makes the album that much better to listen to.
Songs like, “The Cosmic Echoes Of Non-Matter (Immaterial Voices Of The Fathers)” and “The Alcove Of Angels (Vipassana)” are enthralling with their story-like atmospheres and legato interludes. The semi-acoustic instrumental “Translucent Body Of Air (Sutta Anapanasati)” really helps add to the mood of the album, giving a relaxing and almost meditative break to the album before exploding into “Antithesis Of The Flesh (And Then Arises A New Essence)” , which the last two or three minutes of the song have a really cool Egyptian-like feel to them. I can’t forget the 10 minute epic, “The Meditant (Dialogue With The Stars)” with it’s long, swooping solo-like melody and bridge in the middle that builds up with intensity and breaks right back in that brings the song into a complete different feel.
With the shortest songs being only 1:30 and 2:24 being the intro and the instrumental, this album is such an awesome and epic journey from start to finish.Highly enjoyable, excellently written and metal as fuck. This release off Candlelight is definitely ten horns!
- TRIBULATION [2008] The Horror -
Label: Pulverized Records
Review by Mark Howitt
RATING: 8 \m/
Yet another solid fucking slab from the good people at Pulverized Records. This labels roster is impressing me more and more, and Tribulation’s latest offering The Horror is no exception. Upon hearing the intro, I was perhaps expecting some keyboard soaked Black Metal but instead was treated to a menacing yet simplistic Thrash/Black/Death hybrid. Full of catchy hooks and upbeat tempos, Tribulation are a force to be reckoned with. From the first song “Crypt of Thanatophilia” to the closing and fitting Apocalypse now sample used as the outro to the album on “Graveyard Ghouls”, I was taken through Hell and back on a twisting roller coaster ride. The outro is perfectly fitting indeed, as the listener hears Marlon Brando’s repeated whispers saying “The Horror…”
It would almost seem that everything on the album is at its perfect blend, the drum beats and cymbal work used is very effective, and combined with great black metal influenced raspy vocals and catchy thrash based riffs, we are left with an album that demands repeated listening. Personal favourite tracks include “Sacreligious Darkness”, “Crypt of Thanatophilia” and “Beyond The Horror”. The band successfully blends classic sounding thrash solos in with the mix, however this in my opinion is the weakest point on the album. The solos are good, don’t get me wrong, but I think by the next album the skills will be much enhanced. By no means however are the solos lacking, because they fit the music quite well. Near perfection, is the best way to describe this.
All members of the band do their parts well, and the song writing skills contained on “The Horror” is excellent. Production is also done very well, leaving a fulfilling listening experience. The album art is also quite impressive, wrapping up the package quite nicely. Big things are in store for Tribulation in the future, and with Pulverized Records backing them up only time will tell what the next release shall hold. If you like Thrash/Black/Death hybrid bands then do yourself a favour and give this album a listen. I am almost certain you will be impressed by the outcome.
- SEANCE [2009] Awakening Of The Gods -
Label: Pulverized Records
Review by Mike Baricelli
RATING: 8.5 \m/
It’s the return of Séance, a Swedish Death/Thrash band that formed at the beginning of the Nineties. Before hearing their latest release ‘’Awakening of the Gods’’ I had never heard of their past releases and it’s been 16 years since their previous album. I did a bit of research on the band and I found out that those past 2 albums were gems in the early 90’s death scene. In 92, Forever Laid to Rest, and in 93, Saltrubbed Eyes. They had some new material in the late 90’s and were going to sign to a new label but the drummer left shortly after, and eventually in 98 they split up.
Ten years later Séance has reformed and are back with a healthy slab of Thrashy Death Metal, ¾ of their old lineup and a new home at Pulverized Records. This is some good shit here, it’s one of the better Death/Thrash albums out there for sure. The songs are full of groovy, chunky riffs that have a Slayer influence and maybe a hint of The Haunted but by no means are they cloning either band. In fact they have an aggressive American tinged approach to their sound which suits the album well. And back to those riffs, I’m really impressed with what they came up with. A good dose of melody and aggressiveness to break your neck to. The vocals remind me of Suffocation mixed with Pestilence but they’re not low guttural burps and you can understand to a certain degree what he’s saying. The production is tight, full of power and every member’s instrument can be heard perfectly. The drumming is tasteful and never goes on a blastbeat binge, only when it’s necessary. It goes from mid paced beats to fast then slow at times but then quickly picks up the pace again without losing your attention.
Perhaps my favourite track is called Flight of the Wicked, it’s guitar and bass meld together well, almost battling each other for 50 seconds. It’s quite interesting and weird I guess but definitely something I haven’t heard before. Most of the songs are very good with no added filler horseshit, the album keeps your attention to the end and my only complaint would be I wish it were a bit longer. It clocks in at just over 36 min. I hope this band keeps going strong and stays awhile, they’ve impressed me and I’m sure countless others. The Swedish scene rarely disappoints… Hail Séance \m/
- JANVS [2008] Vega -
Label: ATMF Records
Review by Mark Howitt
RATING: 9 \m/
Janvs is an Italian gem that is still quite an underground band, however they have the potential to climb the highest of mountaintops. This band is simply amazing, and it is quite a shame I had not come across them earlier, although their first album from 2007 entitled Fvlgvres is less powerful and overwhelming in comparison to the Vega album. Don’t get me wrong, Fvlgvres was a great album as well and had more use of acoustic guitars but the atmosphere that Janvs has captured on Vega is unmatched, bar none.
When I first listened to the album, I did not quite understand fully the potential of this masterpiece. Perhaps it was part to do with the production or song structures themselves, but it did indeed take a couple listens for me to fully grasp what is going on here. However, since that moment I have listened to the album constantly, as it truly is original and refreshing. Taking its obvious influences from bands like Opeth and Amorphis, Janvs offer a great Black Metal side to their formula as well. Blending perfectly rich melodic harmonies with great Black Metal is something perhaps Enslaved has even tried to master. With another album, I am sure Janvs will be a force to be reckoned with.
My personal favourite songs are Saphire and the title track Vega. These songs are very well constructed and contain amazing clean vocal passages. Matteo "Vinctor" Barelli truly has a soaring voice, very full of emotion and quite unique sounding as well. I have not heard clean vocals quite like his, and he takes many different approaches to this vocal styling as well. His throat vocals are also well initiated, a very well rounded musician to say the least as he takes care of all vocals, guitars, synths and programming. Not drum programming either, as the drummer Massimo Altomare is a great Black Metal influenced drummer. There is truly nothing wrong with this album, except perhaps a few parts in a couple tracks that maybe drag on for a bit too long but they are so miniscule that it goes unnoticed. The intro section for Tarab is also quite entrancing, being very familiar to stuff heard on the Om album by Negura Bunget. \m/
Janvs has quickly reached a place into my soul, and for anyone who likes melodic/progressive type stuff with a very soul moving sound should definitely check these guys out, especially the songs Saphire and Vega. If the next album continues in this direction, there is no telling what Janvs will offer the world. Simply AMAZING Atmospheric/Progressive Black Metal!! A must have album for fans of Black Metal and Melodic stuff in general.
- THRONE OF KATARSIS [2009] Helvete - Det Iskalde Mørket -
Label: Candlelight Records
Review by Mark Howitt
RATING: 7 \m/
Throne of Katarsis have recently unleashed their second full-length attack in the form of “Helvete – Det Iskalde Mørket” on Candlelight Records, and I must say I am quite impressed with the end result. They have managed to capture the old school Norwegian Black Metal sound we have all grown accustomed to in bands such as Dissection, Emperor, and Burzum without exceeding or for that matter, cut corners with production. A raw, yet atmospheric production blesses this release, as a clear and mastered mix would not have done these songs justice. Perfection through imperfection, as they say.
What we have here are five solid tracks of Melodic Black Metal, with songs clocking in at over fifteen minutes in length. Very solid tracks, which never seem to stay too focused on riffs or sections of the songs. The riffing on this album, together with the vocals is very influenced by the late Dissection. Many bands are influenced by them, but it would seem that Throne of Katarsis have really studied their formula. This album sounds like it could have been the third Dissection album, if of course Jon was not imprisoned. Some riffs even sound like they are taken straight from the earlier Dissection albums. A very striking resemblance, however there is a significant difference in the approach that Throne of Katarsis has taken. For instance, the Attila influenced vocals near the 6:30 mark into the first track, “The Winds of Blasphemy”. There are several other comparisons to other bands that could be listed here, which does take from the originality factor but due to the variety and dimension of the songs, Throne of Katarsis are harvesting their own sound.
Personal favorites on the album include The Darkest Path, with its sluggish yet dark, atmospheric intro and the seventeen minute title track. This album is thorough in its intent, and full of solid Black Metal structures fans of the genre have grown to love. I would recommend this album to anyone who has been searching for a band that keeps the old tradition alive. Throne of Katarsis are not afraid to pay homage to the Kings of Black Metal Past, carrying the torch with yet another solid release of Norwegian Black Metal. Keeping the essence of Helvete alive and well, dark things continue to brew from our Scandinavian friends.
- IMPIETY [2008] Dominator EP -
Label: Pulverised Records
Review by Mark Howitt
RATING: 8 \m/
What a crushing release from Singapore’s Impiety. Dominator, the latest Mini CD from a very under rated band, this five song EP contains as much aggression as ten full length albums, and about as much evil as you can fit into a local church. Brought to you by Pulverised Records, the same people who brought us the crushing thrash release Blood Money by Guillotine, as well as several other thrash soaked gems in more recent years.
Impiety has a very strong thrash influence, however their sound is composed mainly of other genres in their hateful concoction, which comes in the forms of Black and Death Metal. Impiety take the most abrasive aspects of all three of these genres, and intertwine them in a chaotic scene similar to that of perhaps Hiroshima. The constant onslaught that comes from this album can be related to bands like Belphegor, Krisiun, and Arkhon Infaustus, but perhaps much more constant. Impiety are purposely trying to cave in your skull with every track. The drumming on this EP is super sonic in speed, and a sheer relentless attack on the senses. He must have downed six cases of energy drinks before doing his drum tracks for this release. A thoughtful warning to anyone that is now curious about this release. If you have had problems with seizures in the past, then please do not listen to this album as it will cause you to violently erupt into spastic convulsions where you stand. This album is truly that heavy and should not be underestimated. Upon conclusion of the opening introduction sequence, and its battle like structure, Impiety rip through four tracks of blasting madness right through to the finale track At War With Temujin.
Another bonus to this EP is that it also contains a disgusting cover of Sarcofago’s The Black Vomit, which is very well executed. It surpasses the original version in its heaviness tenfold, doing it great justice. Dominator also features a guest appearance by Lord Ashir of Infernal Execrator, another great Black/Death hybrid from Singapore. I am truly anticipating the follow up release to this album.
Perhaps the main reason I enjoy this release so much is how dark the songs are in their composition. A lot of newer thrash influenced bands are not that dark overall in sound, but Impiety surpass that with flying colors? I have not heard anything as fast as this since I first saw Anhkrehg from Canada, or perhaps the first time I recall listening to Belphegor. The intensity of what is happening musically here is truly crushing and encompassing, never letting up on its delivery and attack. These guys are definitely an under rated band, and with Dominator, they are putting themselves on the map as a band that is not afraid to go all out, and destroy all that is in sight. If you want evil destructive music at break neck speeds, then look no further than Singapore’s psychotic flesh ripping horde, Impiety.
- ABSU [2009] Absu -
Label: Candlelight Records
Review by Mike Baricelli
RATING: 8.5 \m/
Where to begin…. This was one of my most anticipated releases for the new year. I’ve known about Absu for many years but haven’t listened to any of their albums up until last year when I finally heard Tara, and was completely blown away by its sheer brutality and perfect blend of thrash, speed and black metal. A classic album in my opinion. After hearing Tara I started listening to their past albums but they didn’t seem to compare to Tara. Still good, don’t get me wrong, but I’d say ‘’The Third Storm of Cythraul’’ is their best from the nineties, Tara was the mountain to climb, could it be conquered? Now eight years later they have returned with three new members and the mighty Proscriptor behind the kit and doing lead vocals, a technique that’s incredible and requires much focus considering the speed he’s going at.
The new Absu album immediately lashes out at you and doesn’t let go, something that put a smile on my face from the get go. It has the same venom as Tara but isn’t a carbon copy of it. Black metal riffs are more prominent but don’t worry, there’s a solid thrash/speed background and a great deal of atmosphere and ambience too which was used in past albums before. It is just used slightly more on this release but to a good degree and not too much or overpowering. The production is a tad cleaner which makes all the instruments shine thoroughly. A first for an Absu album is the use of electronica but to good use (at the ending of ‘’of the dead who never rest in their tombs are the attendance of familiar spirits’’ it actually flows well). There is also some guests on here like Blasphemer (formerly of Mayhem) who contributes a couple guitar solos on ‘’Night fire Canonization’’ and ‘’Girras Temple’’ also Equitant who does a 58 second ambient closer called ‘’Twix Yesterday, The Day and the Morrow’’, however this should have been part of a song instead of an album closer in my opinion.
Proscriptor does what he does best but to a simpler degree, he’s not all over the place like on Tara, more controlled and less off timing beats but they’re still in the mix, just not as much. He’s still very fast with his fills, double kick and blasts. This might upset fans of Tara era Absu since the drumming was just mindboggling, his performance here is amazing but a couple notches below Tara. His vocals have changed slightly… maybe taken a toll on him over the years, they’re raspy but I miss the goblin like screams of the past. Overall it’s not that big of a deal but they could have been better.
In conclusion is this better than Tara? No, but it’s a wicked album considering the eight year gap. My hats off to them and horns to the sky for making an album of this calibre after such a long hiatus. How many other bands do you know that have been gone for a certain period of time and have comeback to make a record worth owning? At the moment I can’t think of any, and that’s probably not going to change. I just hope that their next opus is not too far in the distant future.
- FEN [2009] Malediction Fields -
Label: Code 666/Aural Music
Review by Mark Howitt
RATING: 8 \m/
When Black Metal was created, it was merely meant to be a form of dark ambience obtained with instruments. After Norwegian Black Metal was at its peak in the early-mid 90's, it seemed to create a worldwide surge of newer black metal bands that sounded very different than anything from its original region of origin. Fen has accomplished what black metal was always intended to sound like with their new album Malediction Fields. Using ambient tones rather than shifting classical inspired keyboard parts to achieve a dark sound while using perfectly crafted droning riffs. Malediction Fields is an album that all black metal fans should investigate into, as I am sure the follow up to this album will put them on a much higher position on the food chain. Fen is similar to bands like Negura Bunget, Drudkh, Agalloch and the likes yet contain their own sound almost entirely. This is perhaps because of their slight embrace with Post-Rock elements and ambient focus. If you are not familiar with Fen but enjoy the bands just listed then please do yourself a favor and order this album now. It will surely and quickly find its place amongst your most played albums of the year.
From the opening riff of Exile's Journey, to the epic outro of Bereft you are taken into a swirling spiral of perfectly crafted depressive and melodic black metal throughout the entire length of the album. The Malediction Fields continuously takes you only briefly into melodic passages, and then sweeping through buzzing riff after buzzing riff of dark harmonies similar to something one might hear from a band such as Watain. Each riff seems to keep you in tune with the raw perfection that is entering the confines of your skull cavity. Yet another noticeable attribute to Fen is their great bass incorporation. Whereas most bass lines on Black Metal albums remain similar to the guitar riffs, Fens bassist sweeps through each track harmonizing the riffs in non traditional fashion. Indeed it would be hard to pick a personal favourite song or to even highlight certain areas of the album because each song keeps you wanting more as it takes you on the journey through the fields of malediction. From front to finish, this album will remain spinning in my stereo for quite some time to come, and if you are a fan of the recent surge of post rock/black metal hybrids lurking amongst the horizon, then you shall surely enjoy what this band has to offer.
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